Oliver Nøglebæk is a great mind and fortunately for the community, also a larper. He has put together a great list of links as a primer for Nordic Larp. Check it out!
“I realized I didn’t have a good starting point for new folks to learn more. What I mean is, that the information is out there, but it’s scattered across a lot of different places.”
What is common to Nordic larp is that it is primarily directed at a first person audience: the participants are the primary audience of the performance. If I play a mother of a family in Ground Zero, I try perhaps to remain calm and composed in order to avoid frightening my children, performing a strong mother to the other players. At the same time, however, I probably try to engage emotionally with the horrible tragedy, playing an ordinary scared civilian to myself. Everyone in the shelter is engaged in these two performances for the whole 24 hours, pretending to be a refugee in a bomb shelter.
Knutepunkt is a Nordic conference for larp and today is your last chance to sign-up for Knutpunkt 2014. The event is will be held in Halmstad, Sweden 3-6 April. Before that there will be several activities during A Week in Gothenburg (AWiG) such as Nordic Larp Talks on Wednesday 2nd April.
I have attended the Knutepunkt-conference since 2008 and I warmly recommend a visit as you the most amazing people from all over the world.
When do we know if the choices we make are the right ones and what should we really do with our lives? During a few hours, twelve players dive into the stories of Agnes, Markus, Olivia & Thomas to meet them during three stages of their lifetimes.
Blackbox Malmö is an organization hosting and promoting short larps in the Malmö-region in Sweden, in January they organized The Kick Inside.
Noisli is a website and text-editor in which you can choose and mix background noises. It it also continuously changes background color. My guess is that it could also be a kickass player to create ambience for your freeform or black box larp. Try it yourself.
How is life under occupation? A team of Finnish and Palestinian organizers created the larp Halat hisar, which took place in a modern day Finland under a fictional occupation. The project was well documented with photos by Tuomas Puikkonen and in this post your will also find some thoughts about the larp by players and organizers.
Nordic LARP is a fascinating medium and we would encourage Serious Games designers to have a look at it from the perspective of education and learning. It offers a different view to learning and education and could be what we are all looking for.
With the conference becoming more visibly on our larping map, these articles are gaining more readers. It is easier for us to share our knowledge, and we are becoming more eager to do so. We learn from each other, and so we stumble upon new, even better ideas.
It holds a great bunch of article with subjects like Polish roleplaying and larp history, definitions, larp documentation, and advice on that should play more with food. This is a milestone, so check it out.
The Swedish campaign Krigshjärta (Heart of War) is known for running great war larps several times a year. Every other summer a bigger event is held, and this year it was Krigshjärta VI. In this post you will find some stunning photos from the larp as well as concept art inspiring the participants into making all the amazing costumes and gear that makes Krighjärta come to life.
This year, the three Swedish larp organizers Frida Gamero, Sofia Stenler and Annica Strand started their blog Arrtankar. There write and reflect on larp organizing, while preparing for upcoming projects. Previously they have made great projects such as Understockholm and Next stop Kymlinge. Arrtankar currently holds a bunch of great reads, and my guess is that they will produce a lot more articles. The blog is in Swedish but you can find a translated link below.
I asked Frida Gamero why hey started Arrtankar:
The blog is about the many different aspects of producing a larp. We started the blog to show how all the parts of fiction, creativity, communication and practicalities come together to form a larp thats is ready for the participants to take part in. By writing about how we work we hope to inspire and help others in the process to take an idea and create a larp, from start to finish.
RedHope was a science fiction horror larp organized in Brazil by Confraria das Ideias (Brotherhood of the ideas) in 2013. This was the third installment in a campaign started in 2009. Luiz Falcão from São Paulo have here described the larp, and he also give us some insight to the Brazilian larp scene.
I myself have been very sensitive about the game, but what makes this the larp rich is precisely that larps are a great vehicle for science-fiction. The reflection created by the game about gender, masculinity, femininity and cultural construction is fascinating and it’s not a message delivered on a plate by an author but a group reflection that emerges from the larp .
French Baptiste Cazes has written a three piece review about the larp Mad About the Boy. The first part describes the context of the larp and his preparations. The second about workshops, transparency and the game design. In the the third and last, Baptiste describes the use of the black box and the debriefing methods.
The articles have been posted and translated by Leïla Teteau-Surel at the French larp blog Electro-LARP, a site in English for larp news from written weekly by the French community. The original articles are to be found at Electro-GN, which is the French language parent of Electro-LARP.
Stockholm Scenario Festival was a three day event packed with loads of play with the goal of combining both freeform games as well as larps. I had the chance to attend several scenarios and I also did some video interviews with participants. For this post I also got a comment from Anna Westerling who was one of the main organizers. Hopefully, Stockholm Scenario Festival marks the start of a tradition.
From a gameplay point of view, MatB proved me that yes, it was possible to have fun roleplaying daily life: no complicated plots, nothing to hide or save, just living life as someone else. Of course everything was more interesting because I was trying to do it «as a woman» but still, it worked.
The larp was organized by Morgan Jarl, Annika Waern, Ulrika Wiborgh and Qla Zetterberg as producers and the original larpwrights Margrete Raaum, Tor Kjetil Edland and Trine Lise Lindahl as artistic crew. Read more on the Nordic larp wiki.